Fairlight Audio Interface
With the Fairlight Audio Interface, you can expand the I/O of your DaVinci Resolve 17 system. This is a professional audio post-production I/O interface with a wide variety of analog and digital inputs and outputs, preamps for microphones and instruments, built-in sample rate conversion, sync at any standard frame rate, and dual 9‑pin control ports!
Fairlight Audio Interface requires Fairlight Audio Accelerator and connects to the Fairlight Audio Interface with a supplied proprietary interface cable.
- Fairlight Audio Interface
- Fairlight Audio Interface multi-pin cable to connect to Fairlight Audio Accelerator
1 Year Limited Manufacturer's Warranty
- For Post-production Engineers
- Inputs: 2 Mic/Hi-Z Pres, 8 Line, 20 AES
- 24-Bit / 192 kHz AD/DA Converters
- Phantom Power, Timecode and GPIO In/Out
- RS-422 Machine Control I/O
- Proprietary Fairlight Host Connectivity
- Outputs: 12 Line, 24 AES
- Internal Power Supply / Mac and Windows
- BNC Wordclock and Video Sync I/O
- Multi-Segment Level Indicators
Analog Audio Inputs
2 x remote controlled XLR/TRS microphone inputs with 48v phantom power / instrument preamps. | 8 x +24dBu balanced analog inputs
Analog Audio Outputs
12 x +24dBu balanced analog outputs with mute protection.
Digital Audio Inputs
9 x fully transformer-coupled AES stereo digital inputs. 1 x S/PDIF input with sample-rate conversion.
Digital Audio Outputs
11 x AES stereo digital outputs | 1 x stereo digital S/PDIF output | Standard 25pin Tascam interface for Analog and AES looms
1 x 75 ohm BNC Reference input. Tri‑Sync or Black Burst | 1 x 75 ohm BNC word clock input
1 x 75 ohm BNC Reference loop out. Tri‑Sync or Black Burst | 1 x 75 ohm BNC word clock regenerated output. Sync to all common frame rates and formats including HD Tri‑level sync, video sync, word‑clock, and AES/EBU
1 x RS-422 9-pin machine control input | 1 x RS-422 9-pin machine control output
Timecode input and output with regeneration
For future use
GPI and GPO connections for cough and ‘On‑Air’ control
44.1, 48, 96, 192 kHz
Inputs 1-2 (mic): +2.5dBu | Inputs 1-2 (instrument): +24dBu | Inputs 3-10 (Line): +24dBu
Inputs 1-2: Mic Inputs: 50dB gain range (+21.5 to +71.5dB) | Inputs 1-2 : Instrument Setting: 50dB gain range (+0 to +50dB)
Mic E.I.N (unweighted)
Inputs 1-2: -127dBu @40dB (61.5dB) | Gain: 150 ohm source, 20Hz - 20kHz THD+N (mic input) | Inputs 1-2: <0.001%@ 1kHz, -1 dBFS at 0dB gain | Inputs 1-2: <0.004%@ 1kHz, -1 dBFS at 40dB (61.5dB) gain
THD+N (line input)
Inputs 1-2: <0.001%@ 1kHz, -1 dBFS after 0dB gain (unweighted) | Inputs 3-10 : <0.001 % @ 1 kHz (unweighted)
Dynamic Range (line input)
Inputs 1-2 : 108dB @ 0dB gain (unweighted) | Inputs 3-10: 110dB (unweighted)
Input Frequency Response
+0.05/-0.05dB, 20Hz - 20kHz
Inputs 1-2 (XLR) : 2k ohm | Inputs 1-2 (1/4"): >1M ohm | Inputs 3-10: 15k ohm
Outputs 1-12: +24 dBu
THD+N (Line Outputs)
Outputs 1-12: <0.002%
Dynamic Range (Line Output)
Outputs 1-12 : 109 dB (unweighted)
Output Frequency Response
+0.05/-0.5dB, 20Hz - 20kHz
Outputs 1-12: 50 ohms
Mac 10.15 Catalina or later, Windows 10 64-bit
Internal 100 - 240V AC 50/60Hz with IEC C14 mains input.
Automatically powered-on/off only when the Fairlight Audio Accelerator is powered on.
0° to 40°C (32° to 104°F)
-20° to 60°C (-4° to 140°F)
0% to 90% non-condensing
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